50 Western plates

*There are undulations on the rim; please refer to the images.

Mr. and Mrs. Morioka create pottery at the foot of Mt. Koya in Wakayama Prefecture. They say it has been 50 years since they started making pottery.

Several kilns have been built at their workshop, centering on a gigantic wood-fired kiln over 10m long. Normally, wood-fired kilns are fired for 2-3 days, but Seikou's signature Nanban Yakishime pottery is fired for 10 consecutive days. Dozens of tons of firewood are consumed in a single firing.

The Moriokas produce their works using such a highly demanding method. They delivered vibrant pieces that convey the raw energy of the flames in the kiln. 

This is a Western-style plate made with Nanban Yakishime. Its shape and size are very easy to use, making it highly recommended for those who want to try Yakishime for the first time. It was the most popular item among customers buying Seikou's work for the first time at the store.

The shop owner used it for curry at home, and its surface, after decades of use, was glossy and lacquer-like. The spoon also fit well, and I instantly fell in love with it. Western-style plates are popular and hard to come by. Get yours soon.

Diameter: Approx. 23.5cm / Height: Approx. 4cm

*As these are artisan works, each piece varies in color, shape, size, and thickness, resulting in individual differences.
*Yakishime pottery undergoes changes over time. When first used, it is particularly prone to oil stains, but by using it regularly without concern, the piece will blend in overall and develop beautifully. If you are concerned, you can make it less prone to change by soaking it in water and wiping it before use.
*Please refrain from using in microwaves,ovens, or direct flames.
*Returns and refunds are not accepted. We appreciate your understanding before purchasing.

Seiko Morioka Brief Biography
Born in Nara Prefecture in 1948, raised in Wakayama Prefecture. Started pottery at age 25, building a kiln in Amano at the foot of Mt. Koya. Encountered Nanban Yakishime during a visit to Tanegashima, and has since focused on yakishime pottery. Later, he traveled to various kilns around the world, including North and Central America, Southeast Asia, Korea, and India, to study pottery and earthenware making. He is an artist who has gained international attention, with his large pots being part of the permanent collection at the Museum of Modern Art in New York.